It’s not for you anyway, ‘cause this is for the Raza. Some of you don’t know what’s happening que pasa Though brutal, the song makes it clear that the message is for, by and of Chicanos:Įse controla todo so don’t ever try to sweat me with a young “Aztec warrior” who keeps his gun loaded and threatens to use his “Mafioso” connections against anyone who crosses him. In the song, Frost said, “It’s me going into the mind of a cholo. “I made ‘La Raza’ for the Mexicans,” he said of the song whose title means “The Race.” “That was my coming-out song. it says ‘Blood Killer,’ ” he said, showing where a WF had been crossed out and superseded by marks associated with what he described as a black gang.įrost, whose real name is Arthur Molina Jr., is making his own mark on the heretofore largely black rap world with “La Raza,” a defiant, bilingual statement of Chicano pride from his debut album, “Hispanic Causing Panic.” The song’s topic is his obsession, as manifested in his attire this hot summer afternoon: His black pants, bandanna and “L.A.” cap eschewed affiliation to any specific gang, but identified him as a proud cholo. “All you see is WF, WF, WF ,” Frost said, pointing to the graffiti marking the territory as that of the White Fence, a gang that has been part of the Chicano community for three generations. Frost, 28, chose to meet here because he thought it would help shed light on the stark, sometimes brutal imagery in his raps.
La rasa kid frost movie#
This is Chicano Gang Central, a graffiti-dominated concrete landscape that was used in the movie “Colors” as the site of violent clashes. Kid Frost, whose stark “La Raza” single is the first national expression of Latino rap social consciousness, didn’t want to meet for an interview in a restaurant or a record company office.įrost-a squat, muscular man with a tattoo of a pit bull on his right forearm and one of a panther on the left-wanted to meet beneath the bridge at 4th and Lorena streets in East Los Angeles. rapper is stirring pride among the younger generation with his hit single “La Raza.”. Despite his controversial use of gang imagery, the East L.A. (A contemporary manifestation of Chicano awareness is the rap music of Kid Frost. Here in Los Angeles, scene of early ‘70s protests and boycotts, an upcoming theater production and a retrospective exhibition recall the spirit of La Raza and help cast some perspective on the evolution of Chicano politics. In turn, the number of Chicano theater groups has diminished and Chicano art was homogenized when it entered the mainstream commercial art world. But, since those fiery beginnings, social gains have led to increased assimilation and somewhat cooled the fervor of the Chicano spirit. The political awakening of La Raza-"The Race"-was also played out against the backdrop of murals in cities across America. Cesar Chavez’s efforts beginning in the mid-'60s in Central California to unionize farm workers were dramatized by Luis Valdez’s Teatro Campesino-a company that was founded in 1965 and inspired countless Chicano theater groups, which used the stage to explore other political issues, including the Vietnam War, job discrimination and immigration policies. Politics and the arts have always been intertwined in the Chicano movement-El Movimiento.
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